Grisly in Klondike

ALBUM REVIEWS:
We in Klondike are independent reviewers, however we are not critics, as the critics pen is so often laced with venom. “If one has nothing constructive to say, say nothing at all.”

OTHERNESS PRORATE:
It is our belief in Klondike that academics do not intend to mislead the general public, however it has come to our attention that the present system of organisation, necessary to properly convey meaning, leaves little scope for dialogue between disparate disciplines. This may be advantageous to the powers that be: the right hand not knowing what the left hand is doing. We in Klondike do not largely subscribe to conspiracy theory literature; However we are always watchful to keep an open mind. Past experience has shown us that much of the data needed to join the points of information simply isn’t in the public domain.

Grisly In Klondike sporadically submits reviews and musings for Psilowave. Gender, ethnicity and age remain unknown for what may be an individual or a collective. Any correspondence may be sent via the contact form on site.

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If you are partial to decay and pensive sadness in music then this score for a film set in Jacobean New England is for you, it certainly floats The Mayflower. It was with great delight I received the soundtrack for the psychological horror film 'The Witch' from the postman.

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In 'Order, Psyche, Insanity and Chaos' (O. P. I. & C.) we were introduced to the complexities of dualism; indeed we in Klondike believe certain aspects of dualism to be paradox, one that surmounts mere semantic and linguistic concerns, a dualist dilemma. If the atheist (read, those that do not believe in the doctrines of theology) is correct, and death is the ultimate annulment of consciousness, then death is the opposite of life i.e. existence/non-existence, however this would imply the atheist is a dualist (in a biblical sense of radical opposites).

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This Reviewer is a very recent newcomer to Jonathan Dennison's Cadabra Records, so it was with some hesitation that I prepared to listen to this record; however I may now advise you to turn the lights down low, as the last glowing embers of the sun set across the crumbling skylines of once great metropolises, and beneath the wormwood dales of ancient eldritch countryside. Place the stylus on your copy of 'The Yellow Sign' long player by Robert W. Chambers and prepare for the creeping horror cottoned therein. Narrated by Anthony D. P. Mann with incidental music by progressive rock and horror aficionado, Goblin keyboardist, Maurizio Guarini.

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We in Klondike are independent reviewers; however we are not critics, as the critics pen is so often laced with venom. To quote William Blake: 'The sting of the honey bee is the artists jealousy.' Here in Klondike we make honey with no thought to sting; we consider ourselves Mother Nature's creations and consequently heed her words of wisdom "If one has nothing constructive to say, say nothing at all."

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White Noise
Side one - 'Phase In' starts with the track 'Love Without Sound' (2'55") written by Delia Derbyshire and David Vorhaus, after a burst of dreamy vocals what sounds intermittently like toads singing and crickets chirping to the accompaniment of a heavy heart beat

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Side A - 'Dunroamin'' begins with a bus conductors ringing of the bell and the vehicle pulling away. A beautiful intro with piano like synth lines and what sounds like vibraphone before breaking into a vocal magically invoking a journey with some warm fiddle playing.

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