T.E.D. Klein – Dark Gods Deluxe Hardcover Slipcase Limited Edition Chiroptera Press

New Condition

$289.70

***  Pre Order – Ships approx  December 2024. Please Note if ordered with any other items all items will ship together  when stock arrives ***

This is a limited first edition of 75 x copies, with only 10 copies offered outside of US Territories!

Slipcase edition specs:
* 6″x 9″
* 312 pages
* New Introduction by S. T. Joshi
* Essay by Dejan Ognjanovic
* Dust jacket art by Paul Romano
* Interior art by Jonathan Dennison
* Cloth bound in brown with dust jacket
* Smyth-sewn binding with head and tail bands and ribbon marker
* Tipped in signature page signed by the author
* Offset printed on acid-free archival paper
* Paper edge staining
* Custom hand marbled endsheets

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Chiroptera Press proudly presents the weird fiction masterpiece Dark Gods by T.E.D. Klein. Our deluxe edition includes a new introduction by S. T. Joshi and an extensive essay written by Dejan Ognjanovic. Dust jacket art by Paul Romano and interior art by Jonathan Dennison. Text has been revised from the original Viking edition. Our production has been closely overseen by the author, and no detail has been missed to assure an absolute edition.
Synopsis:
It is difficult to overestimate the impact these tales made as they appeared one by one in anthologies, starting in 1979 and culminating in the novella that capped the collection in 1985. Taking the merest hints from Machen and Lovecraft, Klein develops realms of inexorable, insidious threat, which his cast of otherwise ordinary people either never suspected or fail to recognize until it is too late.
Imagine: attempting to reach a loved one during the chaos of the 1977 New York Blackout and suddenly encountering the thrice-cursed “Children of the Kingdom” . . . following the Tarot cards that counterpoint the irony-laden chitchat of the people who displaced a raving old man from the cryptic “Petey”. . . living with the nightmarish truth behind your mentor’s fiction as you await the “Black Man with a Horn” . . . or discovering, in “Nadelman’s God,” that the nihilistic deity you committed to paper decades ago in a fit of adolescent pique has found a zealous new acolyte.
Klein’s supple, deceptively simple prose is as capable of wit as it is of dread as he gradually lifts the veil separating his meticulously described contemporary world from the dark worlds of uncertainty and horror that impinge upon it.